Matt Painter is from the Gene Keady 'coaching tree' and has rekindled the Motion offense in the Purdue program. The main motion is 41 and puts the post on the block as four players play around him. The beauty of this system is that all of your practice time is spent on man-to-man defense and motion offense. A good example of this is a competitive 4-on-4 no dribble drill. Without the dribble, the offense must use good set-ups and cuts to get open. One component of motion is post play. This motion incorporates a single low post and a four-man diving to the basket on all post catches. Painter teaches the four-man to cut hard and execute a post screen, a seal on the weak side. Painter teaches his motion as if the defense is switching. This guarantees that his team is always prepared to face any kind of defense. Screeners and cutters work together to get shooters open. The varieties of screens include the back screen, flare screen, down screen and post screen. On the floor, Painter puts players in situations to show the multiple options that are available with this motion offense.

73 minutes. 2008.

Coach Brey shares the reasons the have helped his teams become potent, high scoring clubs. He focuses on early offense that flows from the full court into half court offense without hesitation. Brey calls this system "Full Court Motion" and the key is to put the pressure on the defense at all times. Audibles are used in the flow of transition. "Cross" is an audible that swings the wings as post players set screens for them. "Shaping up" is a key teaching point for post players after they screen in transition. This action presents four possible passing options for the point guard. The "shallow audible" will free up a shooter by screening for him with both post players. Against zone defense, the "circle audible" is very effective. The point guard can call for a high ball screen by a post as the ball is being advanced. This system can be coordinated on the floor by the players as they push the ball down the floor. In the half court, Brey demonstrates several entries into motion offense. Entries include loop, two, two cross and six. Full court motion is versatile, adaptable and unpredictable. By using audibles in transition, each possession is unique and plays to the strengths of your team!

93 minutes. 2008.

Coach McKenzie has run motion offense from the third grade level through his ABA experience. His main premise is that motion allows you to put your five best players on the floor. This motion is a position-less offense that includes roles for each player. Motion starts as soon as the transition game begins. The key is having big guys run the floor hard to the rim while the wings run wide as the ball is being pushed ahead. Ball reversal is mandatory to move the defense. Down screens, double screens and stagger screens are all executed. Isolation of specific players in parts of the floor is a highlight of this motion scheme. Communication, spacing and making reads are important to the flow of this motion offense. The point guard is allowed to call audibles, which are automatic plays. Six audible options are demonstrated 5-0 and 5-5 to show the flexibility of this attack.

36 minutes. 2008.

Taking pieces from many coaches, Coach Dixon's 4 out, 1 in motion is hard to guard and puts great pressure on the defense. The priorities of this motion are spacing, screen for driving opportunities and post isolation. A two-guard front guarantees ball reversal, which is crucial to stretching the defense from side to side. Teaching the offense begins from a 3-on-3 alignment. The guard to guard pass creates a diagonal screen for the wing. Keys to the diagonal screen are staying wide on the floor and reading the defense. Seven reads are available for the cutting based on the defense's posture. Another weapon of perimeter motion is the flare screen. The passer receives the screen from the wing, leaving the wing area open for his flare cut. Cuts such as the re-screen/fade, basket cut, curl/screen and back cut. In a post and wing scenario, the back screen becomes a good choice, as well as the re-screen/fade option. Flexibility is gained by allowing perimeter players to cut into an open post area and become back screeners on ball reversal. Screening action involving perimeter and posts is effective and causes mismatches. Dixon also covers the various options after the ball is passed to the post.

53 minutes. 2007.

Coach Sampson introduces a continuity offense that will produce quality shots by a team's best offensive players. This offense makes the defense accountable by isolating the best players into scoring positions, and relies on ball reversal, post opportunity and options for shooters. Sampson breaks down this offense into many smaller parts. These parts, broken down in detail, include screening, cutting, zipper cuts, high /low action, screen the screener action, sprint screen and post isolation. This offense uses the terms Curl and Change to signal different action from the same basic offense. Included in this offensive system is a simple but effective secondary offense. A number of competitive shooting drills round out the package. As a bonus, Sampson discusses different coaching philosophies, touching on building a foundation in your program and holding your team accountable for their effort and execution.

88 minutes. 2007.